Rather than preserving each stroke as an individual path, it combines the strokes-or the erasures-in a single path. If you actually use Illustrator for illustration, rather than page layout, you'll really like the Blob brush, which allows for more natural stroke blending. To combine multiple CS3 files that don't have defined crop areas into a single multiartboard page requires creating a new Artboard for each, placing each file, then dragging it into place on the desired Artboard-there's no paste/place into Artboard or New Artboard from File (just as frustrating as Photoshop's lack of a New from Clipboard). You can't delete an Artboard and its contents together, because they're not tied together by anything other than coordinate locations on a page Adobe circumvents this for moving and copying with a Move/Copy Artwork with Artboard toggle, but there's not Move/Copy Artboard with Artwork analogue (because that would be unwieldy). If you cut and paste, Illustrator pastes relative to the original as usual, without constraining to the current Artboard. Because Artboards basically float on the page you can't work in an isolated area. There are some frustrations with this Artboard approach. This architecture is especially well suited to creating tiled prints. You can create a document with a predefined number of Artboards, or create them on the fly by simply creating a crop area. Each Artboard is numbered like a page, and if you delete an Artboard, Illustrator will renumber to maintain the sequence. ![]() ![]() The benefit of this architecture is that the Artboards can be any size, so you can mix a variety of page sizes and types within a single document. With CS4, the company extends those crop areas to act as separate Artboards, and each Artboard is sort of treated like a page. With CS3, Adobe introduced a crop tool that allowed you to define sections that could be individually printed or processed by Acrobat. Granted, the implementation is a bit odd.
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